STATEMENT

“My early interaction with textiles and subsequent training in fashion design led me to explore questions of sustainable production and consumption in the fashion industry, eventually evolving into a broader interest in deconstructive practices.

In my work I involve processes of unmaking and remaking. I consider materials as archives and explore their potential to record time.

Through my practice, I investigate the multiple “textile” scales that structure human life—from the intimacy of the body and garments to domestic spaces, architecture, and urban environments. 

I consider social constructs, symbols, ideologies, and conceptual systems as forms of weaving that shape collective experience.”